Kommande program

Datum:

  • Club:ovisation #55 Katt Hernandez / Fredrik Rasten & Vilhelm Bromander

    Datum: 
    23 Jan 2018 - 19:30

    Efter en stunds vila återkommer Club:ovisation. Denna gång i lite annorlunda skepnad, med fokus inte bara på improvisation utan också intonation. Kvällen till ära spelar två akter:

    Fredrik Rasten (NO) & Vilhelm Bromander

    Fredrik och Vilhelm har båda en kärlek för improviserad musik och just intonation, men har aldrig förut spelat tillsammans. Musiken denna kväll blir resultatet av några dagars experimenterande och spelande med just de parametrarna - musiken blir förhoppningsvis vacker, svindlande, sträv och med dofter av den speciella klang som ren intonation ger.

    Fredrik Rasten - gitarr

    Vilhelm Bromander - kontrabas

    https://soundcloud.com/fredrik-rasten

    https://soundcloud.com/vilhelm-bromander

    Katt Hernandez

    Med sin solofiolskiva SO(U)LEN(SKIN(NER) visade virvelvinden Katt Hernandez att hon är hetare än någonsin, och det ville inte säga lite. Katt skriver även fantastiska EAMstycken där hon bearbetar städers åldrande, minnen och utveckling. Den här kvällen är vad hon väljer att presentera en överraskning - men säkert är att hela världar av sound kommer samsas i ett unikt fantastiskt flöde.

    https://soundcloud.com/katthernandez
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    Entre 80/60 (bara kort)

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    FB-event: https://www.facebook.com/events/351618038645279/

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    Medlemsproduktion: Vilhelm Bromander

  • Queer Noise Fest #1

    Datum: 
    27 Jan 2018 - 20:00

    LINE-UP/SONIC DEVIATIONS:

    ARASH (live)
    SISTERLOOPS (live)
    SEROCONVERSION (live)
    UNKNOWN SISTER (live)
    HATETS DOK (merch)
    ANTIPLAY BOY (merch)

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    DATE: Saturday 27/1
    TIME: 20-01
    PLACE: Fylkingen, Torkel Knutssonsgatan 2
    ENTRANCE: 80 sek (60 sek for students, pensioners and unemployed)
    (Door/bar - card only; Hatets Dok - swish or cash; AntiPlay Boy - cash or trade
    AGE: 18+

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    FB-PAGE: https://www.facebook.com/queernoisefest
    FB-event: https://www.facebook.com/events/1964979097158330/

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    Member production: Johan Sundell

  • Jubileum! Nutida Musik 60 år

    Datum: 
    1 Feb 2018 - 19:00

    1957 såg tidskriften Nutida Musik dagens ljus, och har sedan dess oförtrutet stävat vidare genom decennierna – dags att fira!
    Välkommen till födelsedagskalas och release av Jubileumsnummer nr 2 (av 2) med musik, ljudkonst, scensamtal och annat, och dessutom fri tillgång till äldre nummer av Nutida musik. Jubileumsnumren kan köpas till ett människovänligt pris.

    Dörrarna öppnas kl 19.00

    I baren:

    19.15
    Elektroakustisk Jubileumsfanfar!
    Vi inleder kvällen med en elektronisk fanfar, särskilt för tillfället komponerad av redaktionen.

    19.30
    Vad skriver dom om egentligen?
    Genier, schismer och sammanbrott inom konstmusiken och ljudkonsten
    Samtal med Nutida musiks redaktörer Magnus Bunnskog och Susanne Skog, under ledning av Helena Lopac, bland annat bekant från Elektroniskt i P2 och Art’s Birthday Party.

    22.00
    rip ME
    I ett försök av sammanfatta tidskriftens konsertseries obalanserade program, redovisar Em Silén verk av dess fåtal kvinnliga tonsättare i ett kollage där dessa möter hens nya musik.

    I salen:

    20.30
    ONE7
    av John Cage, i version för preparerad gitarr och elektronik framförd av Peter Söderberg och Erik Peters.
    ONE7 (1992) ingår i en serie av kompositioner som utgör slutfasen i Cages skapande. Dessa Number Pieces är betitlade efter antal medverkande. Gemensamt har de också en tidsindelning med hjälp av “time brackets”, vilka anger tidsramar för varje klangs inledning respektive avslutning. Musikern väljer själv när inom de angivna tidsintervallen musiken får klinga, och när tystnaden tar över.

    21.30
    Marja-leena Sillanpää: ”UNIVERSUMS ALLA LJUD
    belyser det förflutna och en möjlig framtid i samspel med det som kallas nu.
    Här redovisas framför allt det vi inte hör som till synes har gått förlorat, men som ändå existerar.
    Det handlar således om en närvaro av det frånvarande.
    Där ett ljud till synes tar slut tar ett annat ljud vid och slutligen enas alla ljud som funnits till att finnas. Mänskligt sinne registrerar även den ohörbara, det ter sig liksom bredvid det andra.
    Där hörs dånet från bottenlösa som tar vägen genom ett världsallt.” (MLS 2018)

    Fri entré.
    (betalning med kort i baren)

    Medlemsproduktion: Magnus Bunnskog / Susanne Skog

  • third edition festival : Sean McCann — New Music for Public Ensemble Leila Bordreuil / Zach Rowden Nicole Mitchell / Black Earth Ensemble

    Datum: 
    9 Feb 2018 - 19:30

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    Sean McCann. New music for public ensemble

    McCann was born in California in 1988 in a small beach town called Goleta. He now resides in Los Angeles. He has been publishing albums since 2007, utilising an array of instruments including violin, piano, & voice. His first fully realised album, Music for Private Ensemble (2013), found the artist multi-tracking and performing dozens of layers of instruments and sounds to form a one-man-orchestra. The logical followup album, Music for Public Ensemble (2016), lassoed in 30 other musicians to join and puzzle together a 2xLP of lush chamber works, choral pieces, & text-sound compositions.

    For this performance, McCann will present a new work for a nine-piece ensemble including:

    Sean McCann, voice & tapes
    Johan Arrias, Clarinet
    Leila Bordreuil, Cello
    Christer Bothén, Bass Clarinet
    Ville Bromander, Double Bass
    Sarah Davachi, Piano
    Anna Lindal, Violin
    Marie Sjåvik, Voice
    Mariam Wallentin, Voice

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    Leila Bordreuil / Zach Rowden

    Bordreuil/Rowden is Leila Bordreuil (US/FR) on cello and Zach Rowden (US) on contrabass. This duo acts as a culmination of the players diverse influences, ranging from harsh noise to spectral music and everything in between. Bordreuil/Rowden focuses on the abstract sonic possibilities of their respective instruments through extended technique and creative amplification methods, with a fierceness that takes forms as varied as grating noise-scapes and and low tranquil drones. They released Hollow, their debut album, on the excellent No Rent Records in May 2017, and have been extensively touring the US and Europe since then. For fans of Morton Feldman and Hijokaidan alike.

    Leila Bordreuil is a Brooklyn-based cellist and composer working in the realm of improvisation, noise music, and sound art. The New York Times has described her work as “steadily scathing music, favoring long and corrosive atonalities”.

    Bordreuil’s cello playing focuses on the inherent sonic qualities of her instrument, paying careful attention to timbre and texture. She challenges conventional cello practice through extreme extended techniques and imaginative amplification methods. Her composed works frequently incorporate sound-spatialization by way of site-specific pieces and multi-channel installations.

    She has collaborated/performed with many artists such as Marina Rosenfeld, Eli Keszler, Nate Wooley, C. Spencer Yeh, Toshimaru Nakamura, Lee Ranaldo, Bill Nace, Weasel Walter and Lea Bertucci. Her work has been showcased at The Whitney Museum, MoMA PS1, The Kitchen, The Stone, Café Oto (London), All Ears Festival (Oslo), Ausland (Berlin), Ftarri (Tokyo) and many basements across the US. Leila Bordreuil is a 2017 MacDowell Fellow in Composition, was a visiting composer at the Royal Conservatory of the Hague (2017), and an artist-in-residence at Issue Project Room (2016).

    www.leilabordreuil.com

    Zach Rowden (USA) deals with the acoustic and performative possibilities of the upright/electric basses. He is a soloist in Iancu Dumitrescu and the late Ana Maria Avram’s Hyperion Ensemble. Current collaborators include Tyshawn Sorey, Paul Flaherty, Michael Foster’s The Ghost, Robert Black, Chris Cretella, Matt Sargent. Charmaine Lee and Gus Caldwell.

    Venues that have welcomed him include Harpa (Reykjavik), Romanian Radio Hall (Bucharest), Cafe Oto (London), Heimathafen Neukölln (Berlin), Issue Project Room (New York), Firehouse 12 (New Haven), and Real Art Ways (Hartford).

    https://zachrowden.bandcamp.com/

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    Nicole Mitchell Black Earth Ensemble

    The innovative, boundary-smashing work of Nicole Mitchell, whom Chicago Reader music critic Peter Margasak has hailed as the “greatest living flutist in jazz”, has contributed new life to Afrofuturism in the 21st Century. A voracious reader of science fiction since her youth (Afrofuturist author Octavia E. Butler in particular has exerted a heavy influence on her music), the musician, composer and educator has released a string of albums that fold themes centered around technology, spirituality, race and gender into profoundly exploratory jazz that oftentimes reaches far beyond the genre in which it is rooted. Her vast sound can and often does encompass contemporary classical, globally oriented fusion, gospel, spoken word, funk-inspired groove research and even brittle shards of avant-rock.
    With Mandorla Awakening II: Emerging Worlds (FPE Records; May 2017) she uses science fiction to pose the question, “What would a world look like that is truly egalitarian, with advanced technology that is in tune with nature?”

    Mandorla Awakening II explores what Mitchell describes as the “collision of dualities.” The work chronicles the journey of a couple as they find themselves navigating between two civilizations: the World Union, a crumbling society rampant with injustice and inequality, and Mandorla, a utopia where spirituality, technology and nature coexist harmoniously. The former is masculine, hierarchical and violent while the latter woman-centered, egalitarian and peaceful.

    avery r young: vocals
    Kojiro Umezaki: shakuhachi
    Nicole Mitchell: flute, electronics
    Renée Baker: violin
    Tomeka Reid: cello, banjo
    Alex Wing: electric guitar, oud
    Tatsu Aoki: bass, shamisen, taiko
    Jovia Armstrong: percussion

    This engagement is supported by Mid Atlantic Arts Foundation through USArtists International in partnership with the National Endowment for the Arts and the Andrew W. Mellon Foundation.

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    Doors: 19:30 / Starts: 20:00

    advance tickets: 220 SEK (general entry) / 180 SEK (students/fylkingen medlemmer)
    door tickets: 250 SEK / 200 SEK
    festival pass: 550 SEK

    More info: http://www.edition-festival.com/
    Edition Festival is produced by John Chantler. Contact: john@edition-festival.com

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    Samproduktion med Edition Festival

  • third edition festival : Agnes Hvizdalek / Daichi Yoshikawa & Jean-Luc Guionnet / Tyshawn Sorey Trio

    Datum: 
    10 Feb 2018 - 19:30

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    Agnes Hvizdalek

    Agnes Hvizdalek originates from Vienna’s experimental music scene and has been based in Oslo since 2008. From an early age, she has dedicated her life to new music and her fascination with the human voice. She celebrates this in her abstract vocal music, for which she has received international acclaim.

    Always exploring new horizons, Hvizdalek has engaged in numerous cross-disciplinary collaborations merging voice and visual and performance art, dance, theatre, film and writing. Her musical collaborations range from underground noise music and Jazz to classical contemporary music and experimental electronic and pop music.

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    Daichi Yoshikawa / Jean-Luc Guionnet

    Daichi Yoshikawa is an improvising musician from Japan who has spent considerable time in London and Berlin working with a self-devised feedback setup of portable speakers and contact microphones that generates a constant vibration which he controls with resonate objects. He is also a member of lll人 (with Seymour Wright and Paul Abbott) and Nakasanye/наказание (with Antonin Gerbal and Joel Grip)

    Jean-Luc Guionnet‘s practice is subdivided into as many parts as occasions arise for him to think and act in sound and image. A Parisian artist active in several fields (music, visual arts, cinema), he has worked mostly in electro-acoustics but also has a career in free improvisation and field recording, playing alto saxophone, soprano saxophone, church organ, and electric organs. He studied musique concrète under Iannis Xenakis and tends to extract the tiniest details from sound, appreciating slowness and the obsessive exploration of simple processes. Music, for him, is a way to test reality.

    The duos first record ‘Intervivos’ will be released by Empty Editions.

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    Tyshawn Sorey Trio

    Composer/drummer Tyshawn Sorey is widely considered to be among the most important young artists at the intersection between composed and improvised music. The Wall Street Journal has called him “a composer of radical and seemingly boundless ideas” and Stereogum called his latest release, The Inner Spectrum of Variables “a genuine masterwork, something entirely new.” He is one of the most in-demand drummers on the modern jazz scene — known for his impossibly virtuosic technique and his mind-boggling ability to effortlessly master even the most difficult written scores — but is also one of a rare breed of jazz musicians who is pursuing composition as seriously as their playing. He received his Doctorate in Musical Arts in Composition from Columbia University in May, 2017 and has recently been appointed as professor at Wesleyan University.

    Tyshawn Sorey, Drums & Percussion
    Cory Smythe, Piano
    Nicholas Dunston, Double Bass

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    Doors: 19:30 / Starts: 20:15

    advance tickets: 220 SEK (general entry) / 180 SEK (students/fylkingen medlemmer)
    door tickets: 250 SEK / 200 SEK
    festival pass: 550 SEK

    More info: http://www.edition-festival.com/
    Edition Festival is produced by John Chantler. Contact: john@edition-festival.com

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    Samproduktion med Edition Festival

  • Geoff Berner (CA) - Rae Spoon (CA)

    Datum: 
    16 Feb 2018 - 19:30

    GEOFF BERNER

    Geoff Berner är en fantastisk musiker, författare och underhållare som de senaste 15 åren rest jorden runt med sitt dragspel. Utifrån sin bas i Vancouver Canada har han spritt sina betraktelser av samhället och människan via böcker, skivor och, inte minst, sina personliga och energiska framträdanden.
    Det är en fröjd att uppleva Geoff live och se hur han obehindrat rör sig mellan skrivet material, anekdoter och galna infall. Alltid med glimten i ögat och med en underfundighet av rang. I Mars 2016 gjorde Geoff ett bejublat framträdande i Stockholm och nu är det äntligen dags igen!

    “Cherish him, cherish him, for there really is no one like him. Fantastic.”
    – Billy Bragg

    https://www.geoffberner.com/

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    RAE SPOON

    De senaste tolv åren har Rae Spoon släppt åtta album som spänner sig från akustisk folkmusik över stämningsfull rock till elektroniska pop-experiment.
    Armour, det senaste albumet, balanserar med sina personliga texter och smäktande ljudbilder också det på kanten mellan elektroniskt och organiskt. På Fylkingen framför Rae sin reflekterande, egensinniga pop med akustisk gitarr och sparsmakad elektronik.

    “Rae Spoon is one of the most important musicians working in Canada today.”
    – Now Magazine

    https://www.facebook.com/raespoon
    http://www.raespoon.com/

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    Kom till Fylkingen och upplev denna kväll med Geoff och Rae tillsammans på scenen!

    Svängig klezmerpunk, hjärtskärande ballader, melankolisk reflektion och svärtad humor...

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    Entré: 140 kr
    (120 kr för medl & stud)

    Boka biljett genom att Swischa 140 kr. till:
    +46702012259

    Hämta ut biljetten i dörren på Fylkingen från 19.00 på konsertkvällen.

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    Facebook-event:
    https://www.facebook.com/events/304797280012157

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    Medlemsproduktion: Per Åhlund

  • Musique électronique - with Lars Bröndum, KNYST, Daniel Älgå & Marsel Nichan

    Datum: 
    18 Feb 2018 - 18:30

    Concert starts 19:00
    Doors open 18:30

    Free entrance

    FB-event: https://www.facebook.com/events/1983436728643873/

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    Medlemsproduktion: Marsel Nichan

  • third edition festival : Terre Thaemlitz ▸ Deproduction

    Datum: 
    20 Feb 2018 - 19:30

    We live in an era in which dominant LGBT agendas are increasingly revolving around themes of family, matrimony, breeding and military service. The cultural terms for social analyses and organizing around such issues requires an aggressive capitulation to peculiarly Western Humanist notions of the nuclear family, as well as private and public space. As a result, Feminist and Queer critical rejections of family structures (nuclear and otherwise) are increasingly scarce. An ability to understand the abuses of family and domestic violence as symptoms of larger institutionalized dominations becomes virtually impossible.

    In a stereotypically familiar and heteronormative manner, the anticipated promise behind today’s Queer families is nothing more than the egocentric notion that familial abuses will be resolved by this generation being better parents than the previous generation. What is forever absent are discussions of what it means to deliberately not be a parent, and to deliberately abandon family. They remain as taboo as the notion of celebrating the relief of an abortion.

    In Deproduction, Terre Thaemlitz investigates the awkward, uncomfortable and hypocritical power dynamics behind Western Humanist notions of family, and how they function internationally through processes of globalization.

    Deproduction is multi-media work by Terre Thaemlitz produced with support from documenta 14 and Akademie der Künste der Welt. Deproduction premiered at documenta 14 in Athens on July 9, 2017.

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    Doors: 19:30 / Starts: 20:00

    advance tickets: 120 SEK (general entry) / 80 SEK (students/fylkingen medlemmer)
    door tickets: 150 SEK / 100 SEK
    festival pass: 550 SEK

    More info: http://www.edition-festival.com/
    Edition Festival is produced by John Chantler. Contact: john@edition-festival.com

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    Samproduktion med Edition Festival

  • Firework Edition Records presents a decadent February Sunday evening with: ALAN COURTIS (AR) + MUYASSAR KURDI (US) + THE NEW MOVEMENT (SE)

    Datum: 
    25 Feb 2018 - 19:30

    Alan Courtis

    Photo: Daniel Caldirola

    Alan Courtis (aka Anla Courtis) was born in Buenos Aires in 1972. He works in the fields of sound-art, electro-acoustic music, drone, noise, improvisation and composition. His written music has been played by ensembles from England, Thailand, Switzerland, Wales, Netherlands, Mexico, Canada, The United States, Spain and South America. He has been commissioned by Phoenix Basel Ensemble (Switzerland), Český Rozhlas (Czech Republic). He has been artist in residence at EMS (Stockholm), GRM (Paris), Cafe Oto (London), USF (Bergen), etc. Alan Courtis has more than 400 solo releases and collaborations on labels like: Editions Mego, P.S.F., Pogus Productions, SubRosa, RRR, Blossoming Noise, No-Fi, Antifrost, Tonschacht, 267Lattajjaa, Quasipop, Alt.Vinyl, Riot Season, Kning Disk, Beta-Lactam Ring, Prele, Matching Head, 8MM, Public Eyesore, Musica Genera, Porter, Smittekilde, Sedimental, Mikroton, MIE, Monotype, etc. His music has been broadcast at radio stations such as: BBC (UK), WFMU (USA), SBS (Australia), Resonance-FM (UK), Ö1-ORF (Austria), CJSF (Canada), WDR (Germany), Sveriges Radio (Sweden), Radio France, NRK (Norway), RTVE (Spain), WNUR (USA), Radio Nacional (Argentina), etc. Courtis has toured extensively in Japan, China, Singapore, Malaysia, Thailand, Europe, USA, Australia, NZ & Latin America, and his work has also been exhibited at Uplink Gallery (Tokyo), None Gallery (Dunedin), ARCOmadrid (Spain), BienalSur (Bogotá), Galería Nora Fisch and Cobra (both in Buenos Aires). Alan Courtis has collaborated with musicians like: Pauline Oliveros, Phill Niblock, Keiji Haino, Merzbow, Lee Ranaldo, Nihilist Spasm Band, Jim O’Rourke, Yoshimi, BJ Nilsen, Otomo Yoshihide, Stilluppsteypa. RLW, Zbigniew Karkowski, Eddie Prevost, L.A.F.M.S., Makoto Kawabata, Jojo Hiroshige (Hijokaidan), KK Null, Daniel Menche, Mats Gustafsson, Rick Bishop, Toshimaru Nakamura, Thomas Dimuzio, Rudolf Eb.Er, Kouhei, Seiichi Yamamoto, Tetuzi Akiyama, Lasse Marhaug, Rapoon, Uton, Birchville Cat Motel, The New Blockaders, Kaffe Mathews, Jaap Blonk, Gert-Jan Prins, Jazkamer, C.Spencer Yeh, Okyung Lee & Kemialliset Ystavat. The music of Alan Courtis always has a strong experimental sense and is usually based on high-skilled techniques of prepared sound, tape manipulations, processing of field recordings, live electronics, objects, cymbals, synthesizers, computer tools, playing traditional (both acoustic and electric) instruments as well as self-built, strange and unusual instruments (eg. unstringed guitar). Courtis has made music for films/videos by Jaime Davidovich, Claudio Caldini, Greg Pope, Hang Jun Lee, Sergio Subero, Pablo Mazzollo, Guillermo Ueno, etc. He has also coordinated music workshops in Iceland, Sweden, Norway, Switzerland, Belgium, Denmark, Germany, England, Portugal, Argentina, Mexico, Brazil, Peru, Chile, United States, Australia, New Zealand, Malaysia, Thailand, China & Japan.

    In Spring 2018, Firework Edition Records will release a double-LP with Alan Courtis, entitled ’Buchla Gtr', recorded at EMS, Stockholm.

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    Muyassar Kurdi

    Muyassar Kurdi (b. 1989 in Chicago) is a New York City-based interdisciplinary artist. Her work encompasses sound, extended vocal technique, performance art, movement, photography, and film. She has toured extensively in the U.S. and throughout Europe. A versatile improviser, Muyassar has composed and performed music for voice, harmonium, piano, lyre, autoharp, and theremin in both solo and collaborative environments. She currently focuses her attention to interweaving homemade electronic instruments and sculpture into her vocal and dance performances, stirring a plethora of emotions from her audience members through vicious noise, ritualistic chants, and meditative movements.

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    The New Movement

    The New Movement is a nihilistic anti-music project from Sweden, founded by Kenny Johansson and Tony Eriksson. Inspired by ’anti-artists' like Marcel Duchamp, Luigi Russolo and The New Blockaders, TNM emerged from the intention to create a new form of anti-art with a 'nostalgic feeling’, but soon moved further into a 'philosophy of nothing' and they wrote a manifesto, entitled ’X’, even before they ever recorded anything in the name of The New Movement. With their manifesto, TNM 'stand their ground' to reject and destroy everything; being pointless is their weapon of choice.

    'This is why we reject the living and resurrect the dead!'

    TNM has collaborated with noise pioneers The New Blockaders on several occations, both live and on record. They have also collaborated with GX Jupitter-Larsen (US), KH12 Quartet (GER), K2 (Japan), Bookwar (RU), and many others. The latest collaboration is a record together with Anla Courtis, entitled ’Public Demise’, which will be available later this year (on a dark green translucent 12”).

    K.Johansson's independent label Obskyr Records and sublabel Silent Tapes will be on location with a selection of LPs, CDs, cassettes and a few special editions as well.

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    The New Movement:
    http://www.thenewmovement.se

    Obskyr Records:
    http://www.obskyrrecords.tictail.com

    Muyassar Kurdi:
    http://www.muyassarkurdi.com

    Firework Edition Records:
    http://www.fireworkeditionrecords.com

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    Entré: 100kr / 80kr

    Card payment only (no cash) in entrance and bar.

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    Medlemsproduktion: Daniel Rozenhall / Leif Elggren